David Lindesay, 'Eye to I (229)'
42 x 42 cm
Archival Inkjet Print
Edition 1/10+2AP
$300
 
Connected, physical and emotional closeness, and touch are core to what makes us feel most whole. In this accompanied self-portrait, the artist, the models, the camera, and their mirrored reflection actively occupies the space, with imperfections on the surface of the mirror and film declaring their presence. The photograph is intimate, softly lit and elegantly arranged, exploring the artist’s queer gaze on a moment of physical closeness and of emotional connection. This connection between lovers and friends is a non-sexualised presentation of the male nude, embodied in a classically - influenced pose that offers you this image as the artist intended - as he saw it in the moment it was captured. In turning the camera’s lens outwards, the artist places you, too, in the roles of both subject and observer. Its mechanical gaze returns your scrutiny while you are also invited to look and explore the gentle touch of a hand on skin, the graceful caress of fingers through hair, and intimate embrace of friendly, open warmth on a chilly Spring morning in Naarm/Melbourne. 
 
 
David Lindesay is a first generation Australian photographer who grew up walking through the hills on the edge of Kamberri/Canberra. Here he developed an affinity, love, and curiosity for the natural world and the people in it. His practice takes in traditional monochromatic medium format film and more experimental cameraless photographic processes where he investigates ideas of queer intimacy, connection between people, connection to place, and deep time. Lindesay has exhibited throughout Australia and his work is held in private and public collections including the National Film and Sound Archive.