$250.00

André Ramos-Woodard
Authenticity (2 CHAINZ)
Dimensions 11×14″

Printed on Ilford Smooth Cotton
Limited Edition 20

20 in stock


Artist Bio

Raised in the Southern states of Tennessee and Texas, André Ramos-Woodard (he/ they) is a photo-based artist who uses their work to emphasize the experiences of the marginalized communities while accenting the repercussions of contemporary and historical discrimination. His art conveys ideas of communal and personal identity, influenced by their direct experience with life as a queer African American. Focusing on Black liberation, queer justice, and the reality of mental health, he aspires for his art to help bring power to the people.

Artwork Statement

Anti-Blackness seems inescapably mixed into whatever context I search through; photography, science, government, art… look into any “field” and see for yourself. My people have had to cry, scream, and fight for respect for centuries, and we still have not gained what we rightfully deserve. To move past the damage this has been done to our society, we can’t simply deny our history—we must recognize it. We must acknowledge the many ways in which this country has perpetuated a racial hierarchy since these lands were first colonized and stripped from indigenous peoples by white supremacists, and Black people were stolen from their native land and brought to America by those very same people.

In BLACK SNAFU (Situation Niggas: All Fucked Up), I use my camera as a tool to accentuate the realities of my Black experience, turning the lens on my proudly Black body, my family, found objects, and the places I inhabit. These photographs are then juxtaposed with appropriated hand-drawn depictions of Black people that I’ve found throughout the history of cartooning. The fact that the images are made by my hands allows me to fight back against the historically racist caricatures that I steal; reclaiming them in my pieces to depict Blackness authentically. By combining these ambivalent visual languages, I intend to expose to viewers America’s deplorable connection to anti-Black tropes through pop culture while simultaneously celebrating the reality of what it means to be Black.

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Closed public holidays.
PLAN
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The Perth Centre for Photography would like to acknowledge the annual support provided by the Western Australian Government through the Department of Local Government, Sport and Cultural Industries.
CONTACT
Email:  info@pcp.org.auPost:  PO Box 8105Cloisters Square POWA 6850
 
PCP acknowledges the Noongar people of the Bibbulmun Nation as the Traditional Custodians of the lands on which our gallery is situated, and the many Traditional Custodians of Country throughout Australia. We acknowledge First Nations Peoples as the Traditional Owners, Custodians and Lore Keepers of the world’s oldest living culture and pay respects to their Elders past, present and emerging.
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