$250.00

Mike Gray
This monkey’s gone to heaven
Dimensions 11×14″
Photographic print on Ilford Smooth Cotton

Limited Edition of 20

20 in stock


Artist Bio

Mike Gray is an Australian artist who has exhibited nationally and internationally since 2003. Through predominately photographic and interdisciplinary lens-based works, he examines dominant Western narratives that specifically intersect both Australian and personal concerns. Some of the themes explored include applied machismo, uncanny suburbia, preconscious vision, the nature–culture divide, and the experience of the partially naturalised migrant.

Primarily through experimentation, he produces bodies of work whereby the technique and aesthetic produced intersect the concepts explored. In photographic terms, this experimentation is informed by devolved photographic analogue processes through to high-end digital technology. Subsequently, his work aims to form alternate narratives and construct new insights into aspects of post-colonialism, visual phenomena, identity and modernist histories.

Mike Gray is an Australian artist who has exhibited nationally and internationally since 2003. Through predominately photographic and interdisciplinary lens-based works he examines dominant Western narratives that specifically intersect both Australian and personal concerns. Some of the themes explored include applied machismo, uncanny suburbia, preconscious vision, the nature–culture divide, and the experience of the partially naturalised migrant.

Primarily through experimentation he produces bodies of work whereby the technique and aesthetic produced intersect the concepts explored. In photographic terms this experimentation is informed by devolved photographic analogue processes through to high-end digital technology. Subsequently his work aims to form alternate narratives and construct new insights into aspects of post-colonialism, visual phenomena, identity and modernist histories.

Artwork statement

This image attempts to conflate seemingly disparate subjects such as post truth, myth, post colonialism, biblical stories and a waning sense of sacred in Australian contemporary culture.

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PCP acknowledges the Noongar people of the Bibbulmun Nation as the Traditional Custodians of the lands on which our gallery is situated, and the many Traditional Custodians of Country throughout Australia. We acknowledge First Nations Peoples as the Traditional Owners, Custodians and Lore Keepers of the world’s oldest living culture and pay respects to their Elders past, present and emerging.
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